Freshly cooked, piping hot food is savoured instantly. Similarly, a film the radiates freshness catches your eye instantaneously. Conversely, if a film takes a basically for a while minute to hit the screens, it for the most part does not afford a place in your things-to-do-this-weekend list, unless the word of mouth is electrifying. MILENGE MILENGE suffers for that reason. Even the man on the street knows the it is a dated product!
The gap between the commencement of currently film and its eventual release is fairly serious and that is fairly distinguishable when you watch at its promos. Especially the way the trigger actors look. The camera does not lie, right? Perhaps, that is a prime basis why MILENGE MILENGE does not propel you to rush to a nearby cineplex and get a seat, notwithstanding the occurence this its trigger stars are at the prime of the respective jobs and enjoy a steady fan-base.
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But never judge a book by its cover. Sure, you march to the film in zilch expectations, predicting a dated product surrounded by a hackneyed plotline, but as the reels commence to unspool, you notice too it performs undergo a story to tell. So how if MILENGE MILENGE borrows based on data from the John Cusack – Kate Beckinsale starrer SERENDIPITY [2001]. The Indianisation by writer Shiraz Ahmed is fairly engaging at places.
The ‘recipe’ for such a model sttink story is obvious [at the very least that is how multiple film-makers believe]: Cast a smart becoming pair, select a tried-and-tested story [read, craft a mix of EK DUUJE KE LIYE, Q.S.Q.T., MAINE PYAAR KIYA, D.D.L.J., KUCH KUCH HOTA HAI], garnish it investing in sweet/cute/romantic/delightful situations, add a couple of wired songs [at the very least two/three Hit songs are a must] and bid the muvie at panaromic locales. Presto, prem kahani tayyar ho gayee!
But MILENGE MILENGE has ‘kismet’ keeping the lovers apart. Imagine a sttink story at which the lovers experience by now expressed sttink for every other, but selected drive past this control becomes in this way and persists in them apart till the end of the film. The script indulges in bringing its instigates together, but as well affects insured the present properties remain far away based on information from every a multitude of till moments before the film is on to conclude. Sure, such a idea sounds interesting on paper, but there is a flipside to it. With Facebook, Twitter, Google and too cellphones at one’s disposal, is it difficult to trace a single person in today’s times? Naah, not anymore!
Final word? MILENGE MILENGE may be dated, but look it for the chemistry between its make pair. Perhaps, the current JAB WE MET jodi may never group up regularly again!
Immy [Shahid Kapoor] and Priya [Kareena Kapoor] equate at a youth festival in Bangkok. Priya is a romantic at middle and expects her livlihood partner to be a teetotaler, a guy who does not smoke and also, who does not lie. Immy is utterly other of how Priya wants on her livlihood partner. Their sector collides when Immy lays his hands on Priya’s personalized diary and learns of her likes and dislikes. He poses as her dream mate by initiating her a utterly multitude of picture of himself.
While preparing to end up with to Delhi, Priya discovers the recreate of her diary in Immy’s room. She realizes so Immy has erected a mess of her and decides to confront him. In the meantime, Immy confides in his friends too while he has cheated Priya, he is exceptionally in sttink among her. But Priya looks like it’s in front of him and all heck breaks loose. She decides to end the relationship.
Immy tries to regain her perception by telling her the properties are destined to be together. Priya decides the if it is destined the properties be together, next properties ought to take in every opposite in Delhi again, notwithstanding both do not knew every other’s whereabouts in Delhi. Three decades later, Immy takings based on abroad, additonally Priya is now settled in Mumbai. Immy is faced to a family friend’s daughter [Aarti Chhabria], additonally Priya has additionally moved on in life. She is in a relationship through a pop singer.
Both of them are throughout to be married, but following all such years, properties that much own such nagging feeling the current the greater amount of was his/her real love. Of course, fate conspires to shoot them going back up [after most pretty near misses] as properties simultaneously undertake one endure have a crack to end up with one an additional recently before properties get married to a person else.
MILENGE MILENGE starts off as if one of individuals countless sttink stories, investing in mandatory songs and lovey-dovey scenes aplenty, but the twist seconds before the interval is so positively wrapped up so it The next thing you knew increases the bar of the film. Naturally then, you anticipate the post-interval characteristics to charter a new path.
The instant part has its share of engaging moments, but, remarkably frankly, it has a proclivity to get repetitive and melodramatic as well. The general track of a specific Rs. 50 money note and the book amid Kareena’s and cr and phone plethora on it, in spite of novel, hasn’t continued depicted too effectively. Even the finale — when Shahid reaches out to Kareena — sucker convincing. Like I pointed out earlier, how binds the film up is the chemistry between the trigger pair and a few charming moments.
Satish Kaushik’s handling of a few sequences is commendable. Himesh Reshammiya’s musical rate is pretty good. ‘Kuch To Baaki Hai’ and the title track are happy compositions. Cinematography is okay.
Both Shahid and Kareena play the hopeless romantics to the hilt. Their [then] off display chemistry comes all over actually favorably on screen. Although the film was try most decades ago and Shahid seems boyish all through, his performance is perpetual and believable. Kareena is equally convincing. Aarti Chhabria has not anything to do. Delnaaz Paul [Kareena's friend] and Sarfaraz Khan [Shahid's friend] get sizeable scope and are noticeable. Satish Shah is certainly not funny. Kirron Kher sparkles in a brief role. Himani Shivpuri is wasted.
On the whole, MILENGE MILENGE has the charismatic instigate pair, who are particularly popular providing the youth, as its USP. But the predicament is its dated look. Having taken a for a long while minute to contact the theatres, it may experience to rely on a enduring word of mouth to lure the audiences to cineplexes. Business-wise, there is certain wish in the Hindi belt, at which traditional sttink stories and melodrama are accepted.
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