Anwar
Character
Sketch
Siddharth Koirala as Anwar
Anwar is a quiet, sensitive Muslim youth in his early
twenties. He views the world, under tutelage from his
mentor, Master Pasha, in a romantic light, far removed
from the pace of modern life in India. Inevitably, as
he faces a far harsher reality, it creates the conflict
that ultimately drives Anwar. It is his journey that the
film follows.
Nauheed Cyrusi as Mehru
Mehru is the love of Anwar's life. Through the film, her
constant effort is to battle the status quo placed upon
Muslim women- manifested most clearly in her desire to
leave India for a better life. She, of all the characters,
best represents the generation of middle-class Indians
caught between tradition and the irresistible onset of
globalization.
Manish
Koirala as Anita
Anita is a hard-nosed, principled journalist for one of
the leading television channels in the country, reporting
on the controversial situation which forms the basis for
large parts of the film's narrative. In addition to the
strange situation and even stranger people that she finds
herself covering, Anita is also grappling for control
over a personal life gone awry- all the while chasing
the scoop of her career.
Hiten
Tejwani as Udit
Udit is Anwar's closest friend. He is also the more pragmatic
of the two. He understands how the world works and what
he must do to get along. But, like most of the other characters
in the film, Udit is overwhelmed by Fate, and the strange
illogic that governs the other India that lives inside
the modern, moderate India.
Vijay
Raaz as Master Pasha
Master Pasha is an artist and a theatrical genius who
has turned his back on the world after the death of his
one true love. As an artist, he has surrendered himself
to the world-he now begs for a living, turning it into
the highest from of performance. He is also Anwar's mentor-inculcating
in him his deep love of architecture and of classical
art; and instructing him on love and life.
Rajpal
Yadav as Gopinath
Gopinath is the embodiment of small-town India. Quirky,
confused, paranoid, street-smart, a senior journalist
for a C-grade newspaper in a sleepy town in North India,
he is, above all, constantly looking for the one break
that will provide him the escape route out into the big
cities. One fine morning, while still in Dholpur, the
opportunity falls into his lap.
Yashpal
Sharma as S.P Tiwari
S.P. Ashok Tiwari is one of the most balanced portraits
of an Indian Police Officer in recent times. On one hand
an efficient, ruthlessly hard man in complete control
of any situation at hand; on the other, a loving father
and husband. Over the course of the film, however, the
SP is placed in a situation where the lines between his
work and his personal life become increasingly blurred?
Sudhir
Pandey as Minister
The Minister completes the entirety of the Indian Experience
- the rabble-rousing, schizophrenic Indian Politician.
Taking advantage of the situation handed to him, the Minister
begins to play the people, the entire town and eventually,
the entire country for sympathy that might translate into
votes, unleashing a generic wave of casual violence ?
all the while trying to grapple with a discreetly disintegrating
personal life.
Storyline
Anwar is the story of a young man, an artist, who leaves
his home and everything he knows in order to escape a
world he no longer recognizes. All he ever wanted was
a love story, Instead, his mentor abandons him and his
best friend and his one true love betray him. Devastated,
emotionally exhausted, he takes refuge in an old building,
only to wake up the next morning to find his world turned
upside down. Mistaken for a terrorist, Anwar finds himself
in the midst of an unusual set of circumstances that resonate
deeply with the modern Indian Condition and indeed with
the Human Condition in this present-day global village.
Surrounded on all sides by a host of characters who try
and engineer the situation to their profit, Anwar becomes
the central character upon which the others base their
hopes and their deepest desires. A rabble-rousing Minister
pitching for the popular vote; two journalists; one a
nationally renowned TV reporter and the other a small-town
scribe, looking to resurrect their careers and, as a consequence,
their lives; a priest whose only concern is the maintenance
of the status quo; and a senior police officer who only
wants to leave, but must first resolve the situation?
in any way he can. Through them, and through the other
stories weaving in and out of the film, we discover a
huge love story, plastered against the canvas that is
India. And that, above all, is what Anwar is about. About
the simple human need to connect, to love and to be loved,
and to believe?
But now remains Faith, Hope, Love, these three?
And the greatest of these is love.
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