Breaking News
Koel Purie plays a television reporter in Anima Films' maiden
venture BREAKING NEWS, which is now complete. The film endeavors to uncover the
darker side of the famous or infamous sting operations where a news
correspondent falls in the 'chakravyu' of the whole business and finally paves
her way out to yet another 'chakravyu'. Koel Purie heads the cast, which
includes Abhimanyu Singh, Swati Sen, Atul Parchure, Harsh Chhaya, Vinay Apte,
Vandana Gupte, Virendra Saxena, Shishir Sharma, Nandita Puri, Tanushree, Anita
Wahi, Dhananjay Mandrekar, Vijay Patwardhan and Rahul Vohra.
Produced by Shreyas Mhaskar with Sameer Kavthekar as executive producer, the
film is being directed by Vishal Inamdar. Cinematography by Shirish Desai,
script by Jayant Pawar, dialogues by Ratnakar Tripathi and Sanjay Mone, music by
Kaushal Inamdar, audiography by Manish Pingale, art by Eknath Kadam, editing by
Preshit Joshi, special effects by Chetan Deshmukh, costumes by Pradeep Muley and
make-up by Amod Doshi are the other credits.
SYNOPSIS
It is believed that 'Media' is the forth pillar of democracy.
Journalism began as a mission, then a service and now
merely a profession -- a complete Business where a struggle
is not to get right news but rather to 'generate' one,
crammed with glamour and sensation.
The film endeavors to uncover the darker side of the famous or
infamous sting operations where a news correspondent Vidya falls in the 'chakravyu'
of the whole business and finally paves her way out to yet another 'chakravyu'.
The film narrates the story of a girl who initially is acknowledged when she is
one among the corrupt system and discarded and criticized when she starts
rebelling.
Vidya is a young, dynamic, self-motivated news correspondent, who has just come
out of a journalism course and is all charged to take up confrontations of this
profession. But, little did she know that it is not as effortless job as it is
perceived. Vidya initially is covering the entertainment beat and is contended
with her piece of work.
But due to certain shuffles she is forced to quit
entertainment and cover crime, which she presumes as not her cup of tea.
Gradually, she gets a knack of it and starts getting addicted to the thrill and
ecstasy of the job. She gets a brilliant story for her channel all the way from
Rajasthan along with her team mates which actually boosts the TRP ratings of the
channel and also her morale. In the process, or rather, in the quest for the
thrill, she even tries to fool around with the so-called ethics and codes of
journalism by creating situations to get a story for her channel.
One fine day she receives a call, that later changes her
overall approach towards this profession. It is a call from a girl, Sangeeta,
from Pune, who is a victim of repeated sexual abuses by the high designators of
the local police. Vidya, with her team, chalks out a plan for yet another sting
and is all ready to cover the event where the SP is assaulting Sangeeta. But
unfortunately it is the DIG who is fallen prey to their sting.
The whole episode of 'live rape' disconcerts Vidya and her
cameraman Rafiq to an extent that they feel ashamed to be merely a spectator in
this profession where they couldn't even save the victim. But this event is not
less than a celebration to the news channel where this 'Breaking news' will be
their USP.
Vidya has committed Sangeeta that this footage will not be telecast but rather
be kept for her defense in court. Unfortunately, Vidya is traumatized to see the
telecast of the whole footage 'as it is' in her news channel irrespective of her
caution to the editor. Bugged with the whole system, she leaves for her uncle's
place who had been insisting her to visit his small press.
There she apprehends the genuine power and nuance of
journalism and gets the spur to fight back the system. With her is a close
friend Bala a crime correspondent in rival channel, Rafiq the cameraman and
Trishna her batch mate in journalism course, who differ in their ideologies and
yet are together. This is the time when she gets emotionally attached to the
whole ball game and decides to give the victim justice. In her fight for justice
she faces all the ups and downs but all in vain, leaving Vidya in utter despair
and gloom.
Can Vidya find justice for Sangeeta? Will Vidya survive in
this business? Will she be able to amend this rigid system? Or will she be one
amongst the fraudulent minds? The answer lies in the silver screen.
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