Dhoom2
Dhoom 2 By Taran Adarsh
Cut the crap? Cut the gyan? Let's come to the point
straightway: Is DHOOM 2 as big as its hype? Does it meet
the monumental expectations? Or is it a gas balloon with a
leak?
Yes, DHOOM 2 works big time and here's why?
Very rarely do you come across Hindi films that marry form
and content so beautifully. DHOOM 2 is cool, but beneath
the sheen there's substance too.
Mounted on an extravagant scale, the film is a visual
delight. The film travels from one breath-taking locale to
another in those 16 reels, often making your jaw drop to
your knees thanks to the sweeping impact it makes.
For any sequel to score high marks, it ought to be
embellished with pulse-pounding moments. DHOOM 2 is a
hi-octane thriller and the thrills, stunts and pace --
vital for any thriller to strike a chord -- are sure to
keep you on the edge from Scene A to Z. Most importantly,
DHOOM 2 delivers what it promises: Escapist cinema at its
best!
Click here to buy tickets on Sulekha.com for Dhoom2 Any
hiccups? Not really, but the music could've been better.
That's about it! So, what's the verdict then? A film like
DHOOM 2 raises the bar for Hindi films. If you've tasted
the best, you would never settle for anything komsi-komsa
stuff later, right? That's the DHOOM 2 effect. For
film-makers that tread a similar path, it's going to be an
added responsibility to go beyond DHOOM 2.
In terms of business, DHOOM 2 is bound to create dhoom at
the ticket window. It's a box-office triumph all the way.
Time for Yash Raj to pop champagne yet again!
Write your own movie review of Dhoom 2
Ali's Uday Chopra dream of becoming a police officer has
come true. He is now ACP Jai Dixit's Abhishek Bachchan
right hand man. Together, they are trying to keep a tight
leash on the crime in India. Little do they know what they
are going to be up against.
Enter Aryan -- Mr. A Hrithik Roshan. A hi-tech
international thief. After pulling off a series of
impossible heists all over the world, his next target is
Mumbai, India. The case is given to ACP Jai and Ali.
Helping them put the pieces of the puzzle together is ACP
Shonali Bose Bipasha Basu, Jai's college mate, now a
police officer in her own right. For the last two years,
Shonali has been tracking these amazing thefts and is now
an expert on this thief, who no one has seen.
Once in Mumbai, Mr. A finds his match in Sunehri Aishwarya
Rai, a petty yet clever thief. She makes him an offer he
finds very hard to refuse. A partnership! Aryan accepts.
And so the game begins, a game of cat and mouse, a game of
good v/s bad.
The cops -- Jai, Shonali and Ali -- are after the robbers
-- Aryan and Sunehri. From the deserts of Namibia to the
backwaters of Goa, the mean streets of Mumbai and the
ancient forts of Rajasthan and finally to Rio, Brazil.
DHOOM 2 is modeled on the lines of the chor-police sagas
that Hindi films specialized in the 1970s and 1980s. In
essence, it's not a path-breaking/inventive story, but
what takes the film to dizzy heights is the sequence of
events that unravel at a feverish pace. Right from the
start of the film Hrithik's first heist in Namibia; the
robbing of a crown from a moving train to his next target
robbing a precious diamond from a museum in Mumbai to the
theft in Jamnagar Hrithik and Ash come face to face for
the first time, the film whets your appetite from the word
'Go'.
If the first hour focuses on the cat-n-mouse game, the
second hour changes tracks as it transforms into a love
story. While the scenes between Uday and Bipasha in a dual
role are cute, the ones between Hrithik and Ash build up
slowly. The pace drops intermittently in this hour since
the thrills are reserved for the penultimate reel, but a
number of worthy sequences in this half conceal this tiny
blemish.
Note the turning point in the tale -- the revolver
sequence between Hrithik and Ash and the lip-to-lip kiss
that ensues; it's an outstanding sequence from the
writing, execution and performance point of view. The
pre-climax -- the robbery of man-made gold coins -- as
also the climax chase are breath-taking as well.
The end is distinctive and will have its share of
advocates and adversaries. Yet, in all fairness, it's one
of the highpoints of the sequel. Any scope for the third
installment? Oh yes, there is. Don't be surprised if
Abhishek and Uday embark on their third mission. As for
the climax shot vis-à-vis John Abraham's surprise
appearance, it's an unfounded rumor!
DHOOM 2 is director Sanjay Gadhvi's finest effort so far.
The execution of the subject is such, you just can't help
get transported to a world of make-believe. Gadhvi has
handled a number of sequences with aplomb. The Hrithik-Ash
sequence mentioned above is one of them. The dialogue
between Hrithik and Abhishek -- after they've known each
other's true identities -- is another. The final scene of
the enterprise it would be unfair to reveal it here! is
yet another sequence that indicates that the director has
done his homework well.
Pritam's music is fair. Barring the 'Krazy Kiya Re' track
and the title track filmed on Hrithik, the score is
outright mediocre. However, the saving grace is the
vibrant and energetic picturization, which takes the songs
to another level. The choreography of the title track by
Shiamak Davar is outstanding. Vaibhavi Merchant's
choreography of 'Krazy Kiya Re' is admirable as well.
Salim-Sulaiman's background score is highly effective.
DHOOM 2 is peppered with good looking visual effects Tata
Elxsi, besides a stylish décor/look. The action sequences
as also the stunts Allan Amin do complete justice to the
genre and the Indian audiences are bound to gasp with
disbelief. Cinematography Nirav Shah, Vikas Shivraman is
impeccable. The camerawork can easily match international
standards. Dialogues Vijay Krishna Acharya are wonderful.
Costumes Anaita Shroff Adajania are upmarket. In fact, the
styling of Hrithik and Ash the tanned look et al deserves
distinction marks.
Hrithik's casting as the antagonist can be accurately
called a masterstroke. He's the actual star of DHOOM 2,
the real scene stealer. In fact, you can't imagine any
other actor enacting the cool robber with such precision.
If there's anyone who's bound to benefit the maximum from
DHOOM 2, it's Hrithik. No two opinions on that!
Abhishek in DHOOM 2 is what Shashi Kapoor was in Amitabh
Bachchan starrers. Important yes, but relegated to the
backseat. Abhishek does a fine job nonetheless. Only
thing, he needs to take care of his appearance and posture
when he's pitted against someone with a personality like
Hrithik.
Aishwarya evolves into a different person in DHOOM 2. Her
tanned makeup, her styling, her performance, it's a
different Ash here. It's a complete departure from what
Ash has done in the past. Does it work? Of course, she is
in form!
Bipasha is just about okay as the cop, but is lively as
the twin sister. Uday irritates at times, but handles a
few scenes well. His portions with Bipasha's twin sister
in Rio are sure to bring a smile on your face. Rimi Sen is
hardly there.
On the whole, DHOOM 2 is a winner all the way. At the
box-office, the film has already embarked on an
earth-shattering initial and with multiple shows being
conducted at multiplexes 16/18 with inflated ticket rates,
the film will set new records in days to come. For Yash
Raj, who've not only produced but also distributed the
film, DHOOM 2 should emerge as one of the biggest hits of
their career. Blockbuster!
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