Straight
DOSTANA and FASHION brought
homosexuality out of the closet. One assumes STRAIGHT
would take it one step ahead. It would look at gays, the
relationships, the emotions. It doesn't. On the
contrary, it talks of a person who's confused of his
sexual preferences, one who doesn't know if he swings or
not, is in fact homophobic.
STRAIGHT
could've explored all this and more beautifully, without
getting preachy, but unfortunately, there's no dum in
the screenplay. It's dry and dreary and goes on and on
and on... and ends up being a boring exercise.
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In the midst of central London, a successful Indian
restaurant called 'Gaylord' is run by a Londoner of
Indian origin called Pinu [Vinay Pathak]. A simple soul
at heart, Pinu has many complexes -- a special one being
that he is a virgin and has experienced no intimacy with
a woman.
After a failed and humiliating
experience when Pinu went to India to have an arranged
marriage to a traditional girl who finally dumped him at
the altar and eloped with her lover, Pinu is broken and
disheartened. One day, a young Indian called Kamles [Anuj
Chaudhary] comes to his restaurant and asks for a job as
a stand-up comedian. Pinu initially refuses, but finally
lets him join as a cook, who also does a stand-up act in
the evenings.
On
the same day, he hires a new cashier Renu [Gul Panag], a
young art student from India, who has a passion for
caricatures. Life changes dramatically for Pinu as
'Gaylord' begins to transform...
One fine day, Kamles win a lottery and as he goes to hug
Pinu in his excitement, he lands an accidental kiss on
his lips. Pinu is thrown into a daze as he walks away
from the restaurant that night. He has discovered a
totally new fear: he might be Gay.
Director Parvati Balagopalan has chosen an interesting
story, but hasn't been able to stretch it for two hours
convincingly. In fact, there's no movement in the first
hour. The three characters [Vinay Pathak, Gul Panag and
Anuj Chaudhary] keep talking randomly, without coming to
the main issue. Besides, the conversation, most of the
times, is absolutely bland.
There's a flicker of hope in the second hour. A few
sequences are interestingly handled, but what gets
served eventually and the time it takes to reach the
culmination, the entire journey is so yawn-inducing.
Parvati
disappoints this time. Given the fact that the writing
lacks meat, there's little that she can do to salvage
the show. Music is another drawback. It's more of an
intruder. Cinematography too is inconsistent.
Vinay Pathak does his job earnestly, but why take off
the shirt again and again? Why this need to show off
Vinay's hairy chest? Gul Panag is likable and enacts her
part well. Anuj Chaudhary is okay, but it remains
unexplained till the end whether he's gay or straight.
That's one of the reasons why his relationship with
Vinay is least convincing. There should've been some
clarity on this issue. Siddharth Kakkar is alright.
Rasik Dave and Ketaki Dave provide some laughs.
On the whole, STRAIGHT is as confused as the protagonist
in the film. Disappointing!
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